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Cara Moyer-Duncan

Associate Professor, School of Arts and Interdisciplinary Studies

Cara Moyer-Duncan Headshot

Dr. Cara Moyer-Duncan’s scholarly interests are in the areas of Africana and cultural studies. Her monograph, Projecting Nation: South African Cinemas after 1994, published by Michigan State University Press in 2020, received an Honorable Mention for the First Book Award from the African Literature Association.

She is the author of several peer-reviewed journal articles, book chapters, and book and film reviews, including work published in the Journal of African Cinemas, Critical Interventions: Journal of African Art History and Visual Culture, Africa is a Country, and African Studies Review. She was a featured speaker for the Africa Section of the Library of Congress and the African Literature Association Speaker Series.

Dr. Moyer-Duncan serves as assistant director of the Emerson Prison Initiative, and on the Editorial Board for the Journal of African Cinemas.

Courses
  • Honors Thesis
  • South African Cinemas
  • Worldwide Underground: Hip Hop as Resistance Around the Globe
  • First Year Seminar: Culture the Arts and Social Change
  • EPI-Emerson Prison Initiative
  • Master's Thesis
Academic Work
  • 2022, “The Logistics of Teaching Inside,” in Education Behind the Wall: Why and How We Teach College in Prison, M. Gellman (Ed.). Brandeis University Press
  • 2021, “South African Film Since Apartheid,” in Oxford Research Encyclopedia of African History, T. Spear (Ed.)
  • 2020, Projecting Nation: South African Cinemas after 1994, Michigan State University Press
  • 2019, “Resistance Documentaries in Post-Apartheid South Africa: Dear Mandela and Miners Shot Down,” Journal of African Cinemas 11.1: 47-67
  • 2013, “Truth, Reconciliation and Cinema: Reflections on South Africa’s Recent Past in Ubuntu’s Wounds and Homecoming,” In Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature and Film, L. Bisschoff & S. Van de Peer (Eds.), I.B. Tauris