Gino Canella
Associate Professor, School of Communication
Dr. Gino Canella is a researcher, educator, and documentary filmmaker whose work focuses on social movements, visual culture, and labor. He produces documentary media with grassroots organizers and studies how the political economy of media affects the production and circulation of information.
In 2012, he filmed, wrote, and edited his first documentary film, The British Pub, Inc., which aired on public television in the UK. In 2016, he co-directed Bamba, The Taste of Knowledge, a documentary about a community theater troupe in Dakar, Senegal, mixing performance art and religious expression. It was selected for screening at the 2019 Ethnografilm Festival in Paris. Dr. Canella directed Radical Labor, a documentary about the fight for workers’ rights and racial justice in Colorado, in 2018. It was published on Roar online magazine. His latest film, Front Line, followed the historic nurses strike at St. Vincent Hospital in Worcester, Mass. It was distributed by The Real News Network and has screened at regional and international film festivals.
He is the editor of Raising Class Consciousness (2025), a collection about the relationship between labor, communication, and technology. His current book, Cracking the Facade, examines the ideological inconsistencies of capitalism, arguing that the loss of shared meaning is degrading work and creating new opportunities to redefine the working class.
Courses
- Documentary Video Journalism
- Multimedia Journalism Capstone
- History of the Alternative Press
- Community Storytelling
Academic Work
- 2025, Raising Class Consciousness: Labor Movements and Communication Power in the Information Age (Ed.) Palgrave
- 2022, Activist Media: Documenting Movements and Networked Solidarity. Rutgers University Press
- 2026, “Contested Terrain and the Distribution of Social Movements.” Interface – A Journal for and about Social Movements. 15(1), 43–64.
- 2025, “Anonymous Dissent: Protest, Privacy and Photographic Surveillance in Digital Media,” with Bock, M.A. New Media & Society.
- 2025, “Expanding the Arena: Cinematic Matches and the Evolving Spaces of Sports Entertainment,” with Figueroa, E. Popular Culture Studies Journal. 13(2), 90–103.
- 2025, “Organizing Solidarity: Newsroom Unions, Gendered Labor and Professional Identity,” with Figueroa, E. J. & Baines, A. Journalism Practice.
- E01657969, 2024, “Cinematic Journalism: The Political Economy and ‘Emotional Truth’ of Documentary Film.” Studies in Documentary Film, 18(1): 69–83.
- 2023, “Networked Unionism: Reframing the Labour Movement and Starbucks Workers’ Hybrid Organising Practices” triple: Communication, Capitalism and Critique, 21(1): 1–17.
- 2023, “Creating a News Garden: Maintaining Place and the Role of Local Journalism,” with Pramas, J. Journal of Alternative and Community Media, 8(1): 7–26.
Creative Work
- Front Line, 2021, director of photography/writer/editor. Selected for Screening Scholarship Media Festival 2022, hosted by CAMRA at the University of Pennsylvania. Selected for screening in the Digital Artifacts section of the International Communication Association annual conference 2022, Paris. Selected for screening in Spotlight on Academics Film Festival 2023, Thunder Bay, Ontario.
- Bamba, The Taste of Knowledge, 2018, director of photography/producer/editor. Co-directed with Professor Brian Valente-Quinn and community theater troupe, Sant Yalla, in Dakar. Selected for screening in Africa World Film Festival 2020. Selected for screening in Ethnografilm Festival 2019 in Paris. Selected for screening in the International Visual Sociology Association annual conference, June 2019 in Saratoga Springs, N.Y.
- Radical Labor: Aligning Unions with the Streets, 2018, DP/producer/editor. Selected for screening in Small Cinemas Conference, November 2018, at Florida Atlantic University in Boca Raton, Fla. Selected for screening at Labour of Media (Studies) Conference, November 2018, at Concordia University in Montreal. Selected for screening in Screening Scholarship Media Festival 2019, hosted by CAMRA at University of Pennsylvania.