Magda Romanska
Professor, School of Arts and Interdisciplinary Studies
Dr. Magda Romanska is a pioneering interdisciplinary scholar at the intersection of theatre, digital humanities, and technology, whose work is reshaping how we understand performance in the digital age.
Her research spans transmedia storytelling, hybrid dramaturgy, and computational analysis of dramatic texts, including the development of drametrics, which draws on historical precedents (from Aristotle to Freytag) and demonstrates how mathematical relationships can organize dramatic structure.
Her current research on pattern recognition includes quantum dramaturgy, which applies concepts like superposition, entanglement, and the observer effect to multi-voiced, and networked narratives; posthuman disability studies and the ethics of mimicry (in theatre, AI, VR, and post-human enhancements), with a focus on human–AI interaction and cognitive liberty.
Dr. Romanska is the Chair of Transmedia Arts Seminar at Mahindra Humanities Center at Harvard, and Researcher at metaLAB (at) Harvard. She is also the founder, executive director, and editor-in-chief of TheTheatreTimes.com, the largest global digital theatre portal, which has been recognized with numerous international awards, including a 2025 Webby, the 2024 ATHE-ASTR Award for Excellence in Digital Scholarship from the Association for Theatre in Higher Education and the American Society for Theatre Research, and the Elliott Hayes Award for Outstanding Achievement in Dramaturgy from Literary Managers and Dramaturgs of Americas. She launched Performap.org, an interactive digital map of theatre festivals; and IOTF: International Online Theatre Festival, a yearly streaming global theatre festival, which won a second-place Culture Online International Award for “Best Online Project,” chosen among 452 projects from 20 countries.
She has previously taught at Harvard University, Yale School of Drama, and Cornell University, and worked on over 30 theatre and opera productions as a dramaturg and director.
Courses
- Topics in Drama Theater and Culture
- Topics in Contemporary Theatre
- Topics in Interdiscipl Studies
- Topics in Interdisciplinary Studies
- Directed Study
Academic Work
- 2026, Digital Access to the Performing Arts: A Comparative Study of Legal and Structural Challenges, Bristol University Press (Policy Series)
- 2024, “The Bionic Body: Technology, Disability, and Posthumanism,” Body, Space & Technology, 23(1): 1-16
- 2022, “Antigone’s Choice: Tragedy and Philosophy from Dialectic to Aporia,” Performance Philosophy Journal, 7(2): 89-110
- 2022, “The Body Dismembered: Allegory and Modernity in German Trauerspiel,” Theatre of the Macabre, Eds. Meredith Conti and Kevin J. Wetmore, Jr. Cardiff: University of Wales Press, 79–93.
- 2020, Theatermachine: Tadeusz Kantor in Context (Ed., with Kathleen Cioffi), Northwestern University Press
- 2019, “Tadeusz Kantor and the Posthuman Stage," Postdramatic Theatre and Form, Eds. Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Bloomsbury Press, 81–95.
- 2016, Comedy: An Anthology of Theory and Criticism (Ed., with Alan Ackerman), Bloomsbury Press
- 2014, The Routledge Companion to Dramaturgy, New York, NY: Routledge
- 2012, The Post-traumatic Theatre of Grotowski and Kantor, London: Anthem Press
- 2012, Boguslaw Schaeffer: An Anthology, London: Oberon Books. Reviewed in: Cosmopolitan Review
Creative Work
- The Life and Times of Stephen Hawking, 2021, play; developed at the Lark Theatre and presented at the Roundabout Theatre Reverb Festival
- Opheliamachine, 2013, play; premiered at City Garage Theatre in Los Angeles; staged at the Berliner Ensemble, Dhaka University (Bangladesh), and Teatro Garcia de Resende (Portugal); published by Bloomsbury