Dr. Carol Marie Webster is an Artist|Scientist|Scholar committed to research, teaching, art-making, and activism centered on vulnerable populations, with specific interest in the lives and aspirations of African and African Diaspora/Black Atlantic women and their communities. Drawing on dance and the body (broadly construed) and on Womanist/Black Feminist theologies and theories, Webster constructs methodological and analytical tools in the design and development of intra/interdisciplinary research, community-building, teaching, and art-making.  Webster’s praxis examines interlocking and intersectional systems of oppression - highlighting issues around race/ethnicity, religion, health, (dis) ability, and migration, exploring the negotiations of interlocking and  intersectional liabilities in identity and belonging, and the cultivation of response, resistance, and dignity. Along with more than two decades as a professional dance artist (trained in New York City and former member of Urban Bush Women, Forces of Nature, Bill T Jones/Arnie Zane Dancers, Liz Lehman Dance Exchange), Webster holds Master Degrees in Anthropology/Cultures and Development Studies and Religious Studies from the Katholieke Universiteit Leuven, in Belgium. Webster earned a PhD in Sociology/Interdisciplinary Gender Studies from the University of Leeds in the United Kingdom (UK). Dr. Webster was an Arts and Humanities Research Council (AHRC) Cultural Engagement Fellow at the University of Oxford, Visiting Scholar at the Institute for Religion, Culture and Public Life at Columbia University, New York City, and two-time semi-finalists for the  American Association for the Advancement of Science (AAAS)| Science and Technology Policy Fellowship. Webster mentors African and African Diaspora/Black Atlantic young women across the globe including Ethiopia, Ghana, Benin, Jamaica, Barbados, Trinidad, Belgium, the United States and the UK. Dr. Carol Marie Webster is currently based in/on Turtle Island (North America) in/on the homeland of the Lenape (New York City) and the Massachusetts, Pawtucket, Wampanoag, and Nipmuc (Boston) peoples.

About

  • Department Marlboro Institute for Liberal Arts & Interdisciplinary Studies
  • Since 2019

Education

B.S., Catholic University of Leuven
B.S., Hunter College
Masters, Catholic University of Leuven
Masters, Catholic University of Leuven
Doctorate, University of Leeds

Areas of Expertise

  • Aesthetics
  • African Studies
  • Anthropology
  • Choreography
  • Creative Industry
  • Cultural Appropriation
  • Cultural Studies
  • Culture
  • Culture & Race
  • DEI & Theatre
  • Feminism
  • Health Communications
  • Humanities & Cultural Studies
  • Liberal Arts
  • Musical Theater
  • Pedagogy
  • Performing Arts
  • Philosophy
  • Political Science
  • Postcolonial Studies
  • Production
  • Religion
  • Research Methodology
  • Sexuality Studies
  • Sociology
  • Sports & Culture
  • Theater

Publications

Special Issue: Black Women’s Radical Religious Epistemologies in Mahogany and Steepled Towers

2024

The essays in this issue explore the diverse ways in which Black women’s religious epistemologies challenge conventional theological narratives. From the African spiritualities of Nigeria and Jamaica to the anti-colonial politics of Senegal, Sudan, and South Africa, the contributors offer a rich tapestry of perspectives highlighting the radical nature of Black women’s religious knowledge production. Weaving an eclectic spectrum of spiritual practices and beliefs, these essays offer the basis of radical religious epistemologies that enable Black women living under a range of circumstances, in several regions of the world, to find a pathway through the virulence they inhabit within their everyday lives.

Black Women’s Radical Religious Epistemologies in Mahogany and Steepled Towers. (2024). African Journal of Gender and Religion, 30(1). https://doi.org/10.36615/m7vwxs72